Drama Theatre Performance: Postmodernism and Theatre Performance

Topics: Postmodernism, Theatre, Art Pages: 4 (1404 words) Published: March 25, 2011
ostmodernism was a movement that began in the 1960s that affected all forms of art and literature of that time period. Postmodernism followed modernism and it sought to challenge the ideas and values of modernistic theatre, modernism was formed to shake up theatre, introducing new theories of science and technology to explain the world, whereas postmodern theatre raises more questions than supplying the answers for the audience. Modernism created a ‘grand-narrative’ whereby there was only one meaning which would be told to the audience. Postmodernism broke down the ‘grand-narrative’ when Jean-François Lyotard wrote La Condition postmoderne: Rapport sur le savoir (The Postmodern Condition: A Report on Knowledge) (1979), he came up with the idea of micro-narrative which allows the audience to come up with many meanings. Lyotard felt that as science and technology developed so did human understanding. As understanding increased people began questioning everything that they had been previously told such as society, politics and religion. We no longer have recourse to grand narratives....But as we have seen, the little narrative remains the quintessential form of imaginative invention....In addition, the principle of consensus as a criterion of validation seems to be inadequate. It has two formulations. In the first, consensus is an agreement between men, defined as knowing intellects and free wills, and is obtained through dialogue. This is the form elaborated by Habermas, but his conception is based on the validity of the narrative of emancipation. In the second, consensus is a component of the system, which manipulates it in order to maintain and improve its performance. Franko B is a performance artist who uses his own body as art. He uses his body as a canvas to portray feelings such as vulnerability, love, hate and power he also attempts to portray the fears of human condition. His shows are controversial and have been questioned as to whether it is art and...

Bibliography: Key concepts in drama and performance, Kenneth Pickering, Palgrave Macmillan, New York, 2005.
Beginning theory an introduction to literary and cultural theory, Peter Barry, Manchester university press, Manchester, 2002.
Theatre histories an introduction, Phillip Zarrilli, Bruce McConachie, Gary Jay Williams, Carol Fisher Sorgenfrei, Routledge, New York, 2006.
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