LUCIDO

Topics: Easter, Jesus, Good Friday Pages: 4 (1138 words) Published: December 13, 2013
St. Mary’s Academy of Nagcarlan
Nagcarlan, Laguna
S.Y. 2013 – 2014

Submitted to:
S. Elisa Forbes, RVM
Submitted by:
Centene Kae B. Soriano

The Senakulo (from the Spanish cenaculo) is a Lenten play that depicts events from the Old and New Testaments related to the life, sufferings, and death of Christ. The senakulo is traditionally performed on a proscenium-type stage with painted cloth or paper backdrops that are called telon. It takes at least eight nights - from Palm Sunday to Easter Sunday - to present the play. Christ is presented traditionally as meek and masochistic, submitting lamblike to his fate in obedience to authority. In urban areas, there are modernized versions of the senakulo that run for only one or two hours. They may be presented in different types of venues: on the traditional stage, on the streets, in a chapel, in a large room, or out in the open. Comedy, courtship, and special effects may be incorporated. Furthermore, modern senakulos tend to focus not on Christ’s submissiveness, but on his reason and resolve in courageously standing up for the downtrodden against their oppressors, perhaps suggesting how current problems may be resolved.

Pabása ng Pasyón ("Reading of the Passion"), known simply as Pabása (literally "reading", but is specifically a "sponsored reading-and-chanting") is a Holy Weekpractise in the Philippines that involves chanting of the narrative of the life, passion, death, and resurrection of Jesus Christ. Readers are usually groups of individuals taking turns in chanting verses from the book known as the Pasyon (lit., "Passion"). The modern-day Pabasa may be chanted a capellaor with the accompaniment of musical instruments such as the guitar or accordion, or by arondalla ensemble. There are two common styles of chanting, one of which is the alternate singing of two persons or two groups of people. The second method has each chanter or group of chanters taking turns in singing the...
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